Main Article Content


Abstract

Masjid Raya Syekh Ahmad Khatib Al-Minangkabawi in West Sumatra is a historic structure that exemplifies the acculturation between Islamic values and Minangkabau local culture. Serving as both a place of worship and a cultural symbol, the mosque features a façade rich in traditional Minangkabau carvings and Islamic calligraphy, each carrying philosophical and religious meaning. This study aims to analyze the placement patterns and visual meanings of the carved motifs and Islamic calligraphy on the façade of the mosque. A descriptive qualitative approach was employed, using literature review and visual analysis. The findings reveal that motifs such as Pucuak Rabuang, Siriah Gadang, Bungo Tanjuang, Kaluak Paku, as well as fauna and anthropomorphic motifs like Motif Bada, Rajo Tigo Selo, and Ninik Mamak, convey moral and social messages such as the pursuit of knowledge, leadership responsibility, and communal harmony. Meanwhile, Islamic calligraphy featuring phrases such as Allah, Muhammad Rasul Allah, and the Shahada (commonly rendered in Thuluth script) is strategically placed to reinforce messages of monotheism and spirituality. These findings demonstrate that the decorative elements serve not only aesthetic purposes but also function as a medium for conveying Islamic values and Minangkabau cultural identity. This research contributes to the preservation of Indonesia’s Islamic cultural heritage and offers valuable insights for developing contextual Islamic architectural design rooted in traditional values.

Keywords:
Download Full-Text PDF Direct PDF file • 6410.pdf

Share Article:

Citation Metrics:

Scopus

Downloads

Download data is not yet available.

Citation Metrics & Similar Scopus Articles

Data source Crossref
0
citations
Citation counts are source-specific and may differ because database coverage, reference matching, and update schedules are different. Counts are not added together. Crossref values represent citation links registered and matched by Crossref.
Check Secondary Documents in Scopus
Open this article in Scopus, then check the Secondary documents tab. Use Manual Citation Fallback only for counts you have verified manually.
Open in Scopus
Similar Scopus Articles
Scopus
  1. Song Z. (2027)
    Programming asymmetric Cu–N/Cu–O motifs to drive *CO dual-mode adsorption for efficient C2+ electrosynthesis
    Applied Catalysis B Environmental, 402
  2. Ma S. (2027)
    Synchronizing intermediate turnover via Cu-O-Ce motifs for low-temperature CO-SCR
    Applied Catalysis B Environmental, 402
  3. Naseem M.T. (2027)
    Beyond copy number: circulating cell-free mitochondrial DNA Fragmentomics and structural states in liquid biopsy
    Clinica Chimica Acta, 594

Article Details

How to Cite
Rahmat, M., Rahmat, M., & Heldi, H. (2025). Studi Penempatan Motif Ukiran dan Kaligrafi Islam pada Fasad Masjid Raya Syekh Ahmad Khatib Al Minangkabawi. TSAQOFAH, 5(4), 3629-3645. https://doi.org/10.58578/tsaqofah.v5i4.6410

References

Soedjono. (1986). Seni Ukir Indonesia. Jakarta: Balai Pustaka.
Haryono, T. (1995). Teknik Ukir Kayu Tradisional. Yogyakarta: Gadjah Mada University Press.
Marlina, L. (2021). Meningkatkan kemampuan mengenal bentuk geometri dasar pada anak kelompok a melalui metode tebak gambar. Jurnal Tahsinia, 2(1), 78-89.
Moleong, L. J. (2017). Metodologi penelitian kualitatif (Edisi revisi). PT Remaja Rosdakarya
Shalika, M. (2020). Seni ukir tradisional Minangkabau: Makna dan fungsi ornamen. Jurnal Ilmu Budaya, 14(1), 1-12
Muasmara, R. (2020). Akulturasi Islam dan budaya lokal dalam arsitektur Minangkabau. Penerbit Balai Kajian Sejarah dan Nilai Tradisional.