Kursi sebagai Simbol Transisi Dampak Negatif Kehidupan Manusia pada Karya Seni Patung Kontemporer

Main Article Content

Muhammad Irvan
Lisa Widiarti

Abstract

The journey of life that humans go through is a long journey, full of twists and turns and through stages that will surely become a process of growth and development from time to time. Because there are negative things, the impact on his life is caused by individual, family, environmental, social, cultural, political, educational and other factors. In the embodiment of the work, the chair is used as a symbol of the negative impacts that occur on human life starting from the infant phase to the elderly. There are several stages carried out in accordance with the method used in making the work, namely: preparation is observing the environment and preparing the tools and materials used in the work, Elaboration is the manufacturing stage that solidifies the main ideas related to the title, Synthetic is the sketching stage, Relations The concept is the stage of the work process and completion is the final stage in the work. Description of the work consisting of 7 works where each work is given a different title, namely: (1) infancy, (2) childhood, (3) childhood, (4) adolescence, (5) childhood young adults, (6) old adults, and (10) elderly people. The work will be exhibited for 2 days, and carry out the recording, as well as the production report.

Keywords:
Share Article:

Citation Metrics:

Scopus



Downloads

Download data is not yet available.

Scopus Citation Data

Data source Crossref
0
citations
Check Secondary Documents in Scopus
Open this article in Scopus, then check the Secondary documents tab. Use Manual Citation Fallback only for counts you have verified manually.
Open in Scopus
Similar Scopus Articles
Scopus
  1. Correa Anguita F. (2026)
    Symbol and Protest:The Concept of the Body in the Resistance Movements During the Dictatorships of Chile and South Korea in the 1980s
    Asian Studies, 14(2), 265-292
  2. Abdullah M.M.A. (2026)
    MAQĀṢID AL-SHARĪʿAH AS A FRAMEWORK FOR MUSLIM FAMILY LAW REFORM IN SRI LANKA: A PATHWAY TOWARD GENDER JUSTICE
    Iium Law Journal, 34(1), 187-238
  3. Budiono M. (2026)
    An Anthropolinguistic Study of Similes and Metaphors as Cultural Codes in Al-Manfalūṭī’s al-Shāʿir
    Gema Online Journal of Language Studies, 26(2), 299-316

Article Details

How to Cite
Irvan, M., & Widiarti, L. (2023). Kursi sebagai Simbol Transisi Dampak Negatif Kehidupan Manusia pada Karya Seni Patung Kontemporer. AHKAM, 2(3), 555-564. https://doi.org/10.58578/ahkam.v2i3.1501

References

Acep Iwan Saidi. (2017). Narasi Simbolik Seni Rupa Kontemporer Indonesia. Perpustakaan Insitut teknologi bandung.

Dillistone. (2002). The Power of Simbols Yogyakarta.Pustaka Filsafat.

Rosidha Ainur. (2016). Bimbingan Kelompok Melalui Problem SOLVING Untuk Meningkatkan Penyesuaian Diri Siswa Terisolir, Jurnal Fokus Konseling.

Suharso, Ana Retnoningsih. (2005). Kamus besar bahasa indonesia. Widya Karya

Wardani, Laksmi Kusuma. (2010). Fungsi, makna dan simbol (sebuah kajian teoritik) .


Explore Our Journals
Find the most suitable journal for your research. If this journal does not fully align with the scope of your manuscript, we invite you to explore our wider portfolio of journals covering diverse fields of study. Please select one of the journals below to identify the most appropriate publication platform for your work.